Theater Review

The Brave Little Tailor in Cyprus

In Autumn 2006, Satiriko produced Grimm Brothers’ tale The Brave Little Tailor, a stage adaptation by Heinz-Uwe Haus. This stage production was directed by Marianna Kafkaridou and was loved by its young spectators. The show had a good rhythm, a good balance among scenes, with action and interludes with singing and dancing.

From the Cinematic Stage to the Architectural Space: The Scenic Designs of George Tsypin in War and Peace and The Little Mermaid

It is generally assumed that great artists, after listening to their inner murmurs and callings, reach a certain point in their work / career / life, in which they attain a specific approach and signature distinguishing them from other artists. Georgia O’Keefe is distinct and different from Robert Rauschenberg; Fellini is clearly different from his fellow Italian filmmakers Michelangelo Antonioni or Vittorio De Sica; and then, in turn, the Italians are quite different from the other international directors such as Stanley Kubrick or Abbas Kiarostami.

Warner and Shaw Scale Beckett's Happy Days at BAM

Ghosting the Avant-Garde: The Wooster Group & The Living Theater in NYC

A New Dionysus Invades Paphos: Uwe Haus' Bacchae Production

The Design of Spring Awakening

Thalheimer brings Wedekind’s Lulu to BAM

Frank Wedekind’s Lulu is essentially a play about excess. It seems like an odd match for Michael Thalheimer, the German director known for his painfully minimalist style.

The Kitchen’s “Uncivil Wars: Collaborating With Brecht and Eisler

Lost in Translation: Threepenny Goes Back to Blitzstein

Mother Courage and Her Children in Chicago